Ceramic glaze ideas

One of the great things about ceramic arts is the nearly limitless ways you can express your creativity, ceramic glaze ideas. Pottery glaze lets you add unique colors and textures to your pieces prior to firing.

Search Ceramic Recipes! How to use Ceramic Recipes! Browse the Ceramic Recipes archive! Low-fire commercial glazes can be successfully layered to build effects and change the appearance of the individual glazes. I have been testing glazes for many, many years and have either developed all of my own glazes or adjusted others to suit my glaze application methods and firing schedules. I prefer to use this L-shaped test tile design that I first came up with in graduate school when I taught the Raw Materials Lab class for my graduate assistantship under Val Cushing at Alfred University.

Ceramic glaze ideas

If you've seen anything I have made in the last several years, you know that I'm a little bit obsessed with cool ceramic glaze colors. And by "cool" I mean blues, greens, and turquoises, like these bottles by Lucy Burley. So today, I thought I would share some samples of the ceramic glaze colors I obsess over. Linda Bloomfield explains the chemistry behind cool ceramic glaze colors ranging from the palest yellow-greens to some terrific teals in this excerpt from her book Colour in Glazes. Plus she shares loads of pottery glaze recipes for all firing ranges. Today we still use copper oxide to make green pottery glazes. We now are more acutely aware that the color is affected by the kiln atmosphere and the flux used in the glaze. In reduction, copper reds can be achieved in alkaline glazes containing tin oxide. Copper is volatile, occasionally causing pink flashing on surrounding pots. In oxidation, alkaline glazes with low alumina will give bright turquoise glazes with copper. Other oxides can be added to change the color: iron for yellow-green, nickel for olive green, or ilmenite for blue-green. Turquoise can also be obtained using vanadium zircon stains, which are opaque. Chromium oxide gives a reliable green, unaffected by kiln atmosphere, although it is volatile at high temperatures.

Kyla Toomey's Satin Matte Clear. That will get you a long way, but comes with limitations. In This Section.

Glazing is my favourite part of the process by which I mean developing and testing glazes, the actual dipping and pouring is less interesting but I know a lot of potters dread it. There is no substitute for time spent testing. Depending where you are on your glazing journey, this could mean a variety of different things. You ideally should know:. What each glaze looks like at various thickness. Some glazes are totally different at different thicknesses, some are identical.

If you've seen anything I have made in the last several years, you know that I'm a little bit obsessed with cool ceramic glaze colors. And by "cool" I mean blues, greens, and turquoises, like these bottles by Lucy Burley. So today, I thought I would share some samples of the ceramic glaze colors I obsess over. Linda Bloomfield explains the chemistry behind cool ceramic glaze colors ranging from the palest yellow-greens to some terrific teals in this excerpt from her book Colour in Glazes. Plus she shares loads of pottery glaze recipes for all firing ranges. Today we still use copper oxide to make green pottery glazes. We now are more acutely aware that the color is affected by the kiln atmosphere and the flux used in the glaze. In reduction, copper reds can be achieved in alkaline glazes containing tin oxide.

Ceramic glaze ideas

Glazing is a means to add colors to your pottery. It adds a touch of finesse to pottery pieces, giving them vibrant colors, eye-catching textures, and a smooth finish. Another fun part of the pottery-making process and there are many ways to apply glazes, some trickier than others. So what are the different ways to glaze pottery? Typically, there are nine ways to apply glazes. These include dipping, dripping or pouring, brushing, spraying, splattering, stippling, sponging, glaze trailing, and glazing with wax resist.

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To achieve this effect, coat the desired area with slip in a similar consistency as slip casting. Add water to the glaze, mix it, and place it in a spray bottle. If you have this issue with a thin layer of a single glaze, then there are things you can do to resolve it. Stains are made by fritting coloring oxides together with silica, alumina, and opacifiers in a kiln. If your glaze hard pans, it's not worth it to use it. To bring out the design, top it off with a clear glaze. Where it becomes crucial is with layered flowing glazes. You want the glaze to be thick enough that the coverage is opaque but thin enough to flow through the bottle. However, even if your glazes are perfectly happy going on in a single thick application, when combined in a thick layered application you can often have issues. Thickness Depending on the glaze, this can be the most important factor to getting the results you want.

The different glazes available for Pottery and Ceramic projects vary widely.

As per the first section, understanding your glazes comes in several layers. At the basic end you just want to understand how your glazes bought or made behave in various different conditions. Other oxides can be added to change the color: iron for yellow-green, nickel for olive green, or ilmenite for blue-green. I also have an hour hold at c at the start of every firing to fully dry out everything, just in case Wax Resist - I dilute mine quite a lot, I find it goes on much easier and does a better job of letting the glaze run back off. What each glaze looks like at various thickness. Dipping is the easiest way to cover pottery and is done by most at some point. For best results, do not let the paintbrush touch the slip. In the presence of tin oxide in calcium glazes, chromium turns pink. Nickel and titanium will give green in magnesium matte and zinc crystalline glazes. Stir up the mixture and place the clay piece over a tray or large container to catch the glaze. Try to keep an open mind when evaluating results. To bring out the design, top it off with a clear glaze. I throw my test tiles with black slip on the reverse to see what a glaze will look like over two clays in one tile. Some glazes are totally different at different thicknesses, some are identical. Fine-grained sponges help to create intricate patterns, and larger, firm sponges can cover bigger areas.