Goya self portrait

The artist, with his back to the viewer shows a painting to the minister for his approval perhaps a sketch of the "Sermon of San Bernardino of Siena"? In the Museum of Agen Francethere is another self-portrait of the painter posing before a canvas, goya self portrait.

The painting depicts the artist as vulnerable and fragile, presenting him as a commentary on Romantic artists. In this piece, Goya shows himself working on a large canvas, with a serious expression and focused gaze directed toward his own reflection in a small mirror. Goya was known for his passion for painting and his love of social occasions and drinking. His many self-portraits exhibit different styles, mediums, and techniques used throughout his career. In this particular work, Goya opts for a somber color palette with muted blues to highlight his introspective mood while blending himself into the background to emphasize his creative process.

Goya self portrait

Not on view. Goya is regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Goya looks directly at the viewer with mesmerizing intensity. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision. Between October and February Goya suffered a serious illness which left him profoundly deaf for the rest of his life. Deprived of his hearing, the interior world that Goya must have inhabited is well expressed in this portrait, where the intensity of his thoughts seem manifest in his gaze. The head is the only carefully resolved part of the sheet, his garments are only lightly indicated. The purpose of the drawing is not known. It might have been made purely through self-reflection and his desire to capture his physical likeness reflecting his psychological state, or possibly as a sheet to give to a friend or even, as an idea to later develop into a print. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. As part of the Met's Open Access policy , you can freely copy, modify and distribute this image, even for commercial purposes. This artwork is meant to be viewed from right to left. Scroll left to view more. Use your arrow keys to navigate the tabs below, and your tab key to choose an item.

Goya: 67 Drawings. Harry B. Spain,Drawing not exhibited in Madridcat.

Self-Portrait with Dr. Arrieta, the last of his many self-portraits, was executed late in his life. On recovering, he presented Arrieta with this painting which shows the physician ministering to his patient. The words at the bottom read in translation, Goya gives thanks to his friend Arrieta for the expert care with which he saved his life from an acute and dangerous illness which he suffered at the close of the year when he was seventy-three years old. He painted it in This inscription gives the canvas the look of an ex-voto, a type of religious painting still popular in Spain, which expresses gratitude for deliverance from a calamity.

Not on view. Goya is regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Goya looks directly at the viewer with mesmerizing intensity. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision.

Goya self portrait

The tilt of the head and concentrated expression of the eyes suggest that the artist has portrayed himself looking in a mirror or at the easel on which he is painting. Of the numerous self-portraits that Goya made during the course of his life, this painting, made when he was 69 years old, is perhaps the most intimate, with the exception of the likeness on his sick bed, frail and suffering, made five years later. A Self-portrait in the Prado, signed and bearing the same date discovered during recent cleaning , is similar in style and general appearance but there are slight variations in the pose and costume and in the expression of the face, which seems to reflect a more melancholy mood. The portrait remained in Goya's possession until his death, when it passed to his son. He presented it to the Academy in when the debt for the equestrian portrait of Ferdinand VII, commissioned by the Academy and painted by Goya in , was finally liquidated.

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Museum of Fine Arts, Boston, Spanish. An inscription below the figures explains why Goya made the picture:. Jonathan Brown, Lisa A. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. In the painting, Goya is seated on his bed and is obviously weak from his illness. London, , fig. London: Scala. It may remind the viewer of the frontispiece of the Caprichos. Margret Stuffmann Goya Zeichnungen und Druckgraphik. Article Talk. As part of the Met's Open Access policy , you can freely copy, modify and distribute this image, even for commercial purposes. In this piece, Goya shows himself working on a large canvas, with a serious expression and focused gaze directed toward his own reflection in a small mirror. However, it is uncertain how long the painting remained in Arrieta's possession.

This self-portrait, in addition to its simply resplendent beauty, is a clear and articulate commentary on the Romantic artist.

Goya cured by doctor Arrieta. His many self-portraits exhibit different styles, mediums, and techniques used throughout his career. Other links have been made between the portrait and traditional religious images such as the Pieta and religious ideas like Ars moriendi. Arrieta" ". Download as PDF Printable version. Goya appears in another print next to a woman who has been identified as the Duchess of Alba in the preliminary drawing Museo del Prado for the print Dream of Lies and Inconstancy Biblioteca Nacional, Madrid , one of the Caprichos not included in the collection. National Gallery of Art. On recovering, he presented Arrieta with this painting which shows the physician ministering to his patient. Additionally, Self-Portrait with Dr. In the painting, Goya is seated on his bed and is obviously weak from his illness. Order a Custom Print of this Artwork! This representation is markedly different from the way Goya represents himself in Self-Portrait , with a hanging jaw and weakened body. Master Drawings. Gallery to celebrate the collection of the Department of Drawings and Prints.