Japanese pottery marks satsuma
Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold. The name comes from the region controlled by the Shimazu clan Satsuma-han - officially Kagoshima and surrounding areas. The history goes back much further to around when Satsuma pottery was generally plain and in dark clay, very different from the 19th century pieces made for export to the West. Satsuma comes in many forms and the term is a catch-all covering highly decorated fine forbidden pronunciation, through the Awata style with enamel decoration and the later post war moriage decorated japanese pottery marks satsuma which are often a world away in terms of quality from the 19th century production.
Satsuma pottery is the Western name for very collectable type of Japanese earthenware exported throughout the world since the Japanese Meiji period Japanese sources suggest the Satsuma pottery tradition dates from the 17thC, but firm identification of any pieces earlier than the 19thC is difficult. Kilns were established in the Satsuma area in southern Kyushu by Korean potters in the late 16th century. The first and very earliest wares are the rarest of the rare and were stonewares covered with a thick dark glaze. During the mid 19th century the pottery that today, is recognized as satsuma pottery ware was created. It is a slightly yellowish earthenware.
Japanese pottery marks satsuma
Listed are also some modern Japanese porcelain marks. We regularly update this page. Last updated: February We are a member of eBay Partner Network. When you click links on this site and make a purchase, this can result in this site earning a commission. Often found on Imari Arita porcelain. Fukagawa Seiji mark depicting Mt. Fuji and a river — used since the foundation of the company in and throughout the 20th century. Fukagawa Seiji — alternative mark with Mt. Used by various studios and decorators. Found on Edo period Yoshidaya style Aode Kutani charger. Also produced Ninsei style pieces and other Kyoto Satsuma ware. Early 20th century.
Satsuma comes in many forms and the term is a catch-all covering highly decorated fine work, japanese pottery marks satsuma, through the Awata style with enamel decoration and the later post war moriage decorated forms which are often a world away in terms of quality from the 19th century production.
Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again. Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as "Dai Nippon Satsuma".
Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold. The name comes from the region controlled by the Shimazu clan Satsuma-han - officially Kagoshima and surrounding areas. The history goes back much further to around when Satsuma pottery was generally plain and in dark clay, very different from the 19th century pieces made for export to the West. Satsuma comes in many forms and the term is a catch-all covering highly decorated fine work, through the Awata style with enamel decoration and the later post war moriage decorated forms which are often a world away in terms of quality from the 19th century production. One of the features of Satsuma ware is the crazing, sometimes darkened, which covers the plain areas of the pottery, this can be very fine and almost invisible to the eye through to obvious and heavy. One sign of late 20th century reproductions is often the fake looking attempt to reproduce crazing. To check our stock of satsuma ware click here. Marks are most often hand painted over glaze and may include the artist as well as the Satsuma mark along with other details. Impressed and incised marks are far less common.
Japanese pottery marks satsuma
Large Satsuma vase depicting the seven gods of good fortune. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s. The typical Satsuma ware we most of the time comes into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief. This ware is in fact an export product specifically designed in the mid 19th century to cater to the western export market. The Japanese themselves had very little interest in this ware. From around the s to the early s more than artist at least twenty larger studios or factories were producing "Satsuma" wares of which much were of low quality and destined for the European and American export markets. Most of the marks below will detail this latter wares since this is what we see most of.
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Any info would be of great help. Just to make it easier for the interested collector to find his way to the information offered here, I have chosen to collect any and all Satsuma looking wares, here. Mark: Bizan under the Shimazu family crest. Mark from a finely detailed plate, Meiji period, click mark to see the full item. If you click the map icon to the right you will find this as the Satsuma area on the southern Kyushu island. I have a vase and the only marking on the bottom says Satsuma and Japan, is this vase just a worthless copy? There are 9 symbols with a circle with a cross at the top of the mark. Quality varies from distinctly average to very good. Shimazu family crest; cartouche reads Omura. One of the features of Satsuma ware is the crazing, sometimes darkened, which covers the plain areas of the pottery, this can be very fine and almost invisible to the eye through to obvious and heavy. Can you tell me about these and what they mean? Satsuma Sessan Sei. Mark from a dish with various characters, average quality. If you see a piece with this written on, then you can assume it will be from the Meiji period Early to mid 20th century.
Collecting Japanese satsuma ware is accessible to many, but starting a collection can be daunting.
No current reference found for this painter under either reading of the name. Kinkozan tsukuru. The name also translates as 'mouth of the valley'. Often available in tourist shops and on American military bases in Japan. Click here to see large picture Ryozan This sounds like a mass produced copy made in the Kutani style. Mark Tashino zo. Kaizan — stylized Satsuma pottery mark on black background inside a double gold border. Any input on the attached would be appreciated. The piece may be marked as "Left 3", meaning that it should be positioned as the third item on the left-hand side. Mark from a Kyoto style vase with Samurai, late Meiji. Their main production period was approximately between under the leadership of Kinkozan V I understand that it says Japan, but cannot find what the additional marking on the side is…can anyone give me any clues? Mark has several alternative readings for first character, and a loose translation of both is "fragrant mountain".
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