Kc melting pot theatre

With the theater being in production for its 10 th year and welcoming one of the most diverse audiences in the city, I can say that the passion kc melting pot theatre dedication was evident from the moment I walked through the doors. As a first-time visitor to the theater, I found myself feeling immersed in the experience. The upbeat staff greeted me at the door and gave clear directions on seating. After taking my seat, I took note of the structure of the room.

Family dynamics are often fodder for comic relief and a staple for writers — including playwrights. Their plan is to confront their sister, Barbara, about her drug and alcohol use and convince her to go to rehab. She explains that the main subjects are "intervention, addiction, family dynamics, politics and the kind of universality of those issues. Brittany Evans plays another sister, Marie, who, also struggles with addiction. But, she says, the dialogue is surprisingly funny. The same characters, the same situation — but they are Black instead of white. And like most arts organizations, KC Melting Pot pivoted to online programming.

Kc melting pot theatre

KC Melting Pot Theatre strives to create a public sphere where the contributions of emerging and established Black playwrights can be shared in an enriching community environment. It works toward building diverse, equitable, and inclusive theater experiences that teach, critique, and model a better America; identifies, trains, and incubates theater talent from historically underserved communities; and it collaborates with artists across the diversity spectrum to create work dedicated to social change. In the two decades of its existence, KC Melting Pot has become one of the most intriguing and provocative arts groups in Town, with its savvy mix of classics by August Wilson, Ntozake Shange, and Amiri Baraka and a bold series of new plays by locally based playwrights such as Lewis Morrow. Learn more at KCMeltingPot. Featured in the February 4, issue of The Independent. By Paul Horsley. He also earned a degree in journalism, because writing about the arts in order to inspire others to partake in them was always his first love. After earning a PhD from Cornell, he became Program Annotator for the Philadelphia Orchestra, where he learned firsthand the challenges that non profits face. Rarely have we seen such…. Unique in its field, it is the only publication to focus primarily on the cultural, philanthropic and social aspects of Our Town. Our E-newsletter, The Insider, is shared with our loyal followers every other Tuesday, prior to magazine distribution.

But, she says, the dialogue is surprisingly funny. Congratulations Marilyn Monroe. These characters, as you might have guessed, are white.

Over a number of recent productions, the KC Melting Pot Theater has chosen to explore questions about the ways in which race and class play out in the acts of producing and consuming theatre. The company has put on a number of plays that are specifically about the ways in which race informs the plays themselves and the institution of theater—the implications of putting on plays about race and racism, often with all or majority-POC casts, for audiences that are, on an institutional level, still usually majority white. These questions have been central to quite a few Melting Pot shows, but Fairview takes them to an entirely new level, using structure-busting absurdity to push our expectations and our assumptions as far as possible. The play, written by Jackie Sibblies Drury and winner of the Pulitzer prize, tells the story of an unassuming, even borderline dull upper-middle-class Black family. This is, by all accounts, a pretty quotidian comedy of manners. The moment comes so late in the play around the minute mark and is so brief that it actually feels jarring, and like a structural misstep.

This month marks a first in the history of Kansas City theater — a local playwright will see three of his works published by an internationally respected publishing house in a single volume. Linda is the general manager. Gradually and with determination the theater company has grown the scope of its mission and solidified its structure. What began as essentially a community theater is now professional. Bloomsbury, a publishing house whose history includes a unique distinction as the original publisher of J. Morrow, despite the fact that he will be among such august company, said he felt a bit like a spectator as the book release looms. Morrow said nothing he has written should be considered strictly autobiographical. But anything he experiences or observes eventually makes it into a script. I challenged myself once to write a full-length play in one day.

Kc melting pot theatre

Requirements: Prepare two contrasting monologues dramatic and comedic —preferably contemporary material. Bring current headshots and resume. All Kansas City talent are welcome to audition. Jawbone Crack Quick by Lewis Morrow Directed by Ile Haggins DEC Synopsis: In this riveting drama, a small-town community grapples with the aftermath of a tragic event, exposing the tensions and secrets that lie beneath the surface of their seemingly idyllic lives. Troy Maxson, a former baseball player turned sanitation worker, struggles to reconcile with his past while navigating the challenges of fatherhood and marriage. The playwrights selected this season will probe important questions about striving for the American dream and the right to pursue life, liberty, and happiness. Our season will examine the ways in which race, gender, sexuality, and class shape how we understand equality and our capacity to affirm those unalienable rights during such a fragile socio-historic moment in time. Previous slide.

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In the two decades of its existence, KC Melting Pot has become one of the most intriguing and provocative arts groups in Town, with its savvy mix of classics by August Wilson, Ntozake Shange, and Amiri Baraka and a bold series of new plays by locally based playwrights such as Lewis Morrow. From here, Fairview is a staunchly unreviewable play for any playgoers who want to remain unaware of its massive second-act twist. I take listeners behind the scenes and introduce them to emerging artists and organizations, as well as keep up with established institutions. These characters, as you might have guessed, are white. Watching her inebriated son, David portrayed by Solomon Langley stumble into the conversation with Margeret brought an intensity of hurt and conflict to the scene, while the audience looks on in anticipation. Click Here to watch. Categories Articles Visual. All Streams. Play Live Radio. I loved, enjoyed, was thrilled every minute.

KC Melting Pot Theatre will require proof of vaccination or proof of a negative COVID test within the last 48 hours for audiences, volunteers, performers, crew, and theatre staff. Proof can be provided by presenting either a physical or digital copy along with ID.

Next Up:. For more information, visit www. And like most arts organizations, KC Melting Pot pivoted to online programming. The purpose behind it all is to allow a playwright to get immediate feedback on a play they just wrote and understand how an audience may react. A Raisin in the Sun was absolutely marvelous! A real jam session vibe! The same characters, the same situation — but they are Black instead of white. Subscribe now to keep reading and get access to the full archive. Williams, Ms. I will say that I was exceptionally glad to know absolutely nothing about this show going into it.