Laura poitras net worth

Alexander Payne. Premiera 26 stycznia r. Andrew Haigh. Premiera 9 lutego r.

The Internet not only has its own materiality but also its weight, temperature, and chemical composition. It is the algorithms that comprise the second layer of the new power framework in surveillance capitalism. Simultaneously, the assumptions on which they are based, the criteria according to which they classify, and the rules regulating their work are usually non-public and hidden. In their works, they focus on the usage of science, architecture, and art in the context of challenges stemming from climate change. The Toolbox for Fieldwork on the Material Internet: Warsaw is a work of local character commissioned by Biennale Warszawa , in which the artist and writer, Vanessa Graf , maps the material structure of the Polish Internet. The installation stems from, among others, trips and research expeditions to the Polish seashore, where the underwater cables crossing the Baltic Sea and connected to data centres scattered across the Polish cities resurface.

Laura poitras net worth

It is devoted to the relations between power, capital, and technology. The exhibition and the public programme include fifty people and groups of artists and researchers. This perspective is supplemented by the presentation of technological alternatives, prototypes, ideas, and speculative projects that enable us to imagine a more democratic and egalitarian future. The name of the exhibition refers to the motif of palantíri — the seeing stones in J. At the same time, Palantir is the name of a technological company founded in by Peter Thiel, a conservative lawyer and investor, which engages in advanced data analysis, mainly for the US government. The author presents alternative solutions, objects, and prototypes serving as a potential counterbalance for the current technological model created and governed by private, monopolistic corporations in cooperation with political centres all over the world. Meanwhile, the second part presents algorithmic, organisational, ecological, and infrastructural alternatives allowing to overcome the intertwinement between the authoritarian power and technology. The Internet not only has its own materiality but also its weight, temperature, and chemical composition. It is the algorithms that comprise the second layer of the new power framework in surveillance capitalism. Simultaneously, the assumptions on which they are based, the criteria according to which they classify, and the rules regulating their work are usually non-public and hidden.

Warner Bros. Biennale Warszawa. Artists and theoreticians participating in the second edition of Biennale Warszawa:.

Odpowiednia info. Napisy są dostępne w języku: angielski. With unprecedented access, this gripping behind-the-scenes chronicle follows award winning director Laura Poitras My Country, My Country and journalist Glenn Greenwald's remarkable encounters with whistle-blower Edward Snowden in a hotel room in Hong Kong, as he hands over classified documents that provide evidence of mass indiscriminate and illegal invasions of privacy by the National Security Agency NSA. The documentary not only shows the dangers of governmental surveillance, but makes audiences feel them. After seeing the film, viewers will never think the same way about their phone, e-mail, credit cards, web browser or digital footprint again. But I definitely wouldn't waste your cash on it at all. An important film to watch.

The sky over Yemen at a. Sprawled on an office chair beneath it, the filmmaker Laura Poitras stares upward, taking in the view. Her film Citizenfour swept the awards season last year, culminating in an Oscar win. Poitras is once again in New York, having moved back to the city after several years basing herself out of Berlin. Dressed casually in a black cotton shirt, jeans, and sneakers, Poitras, who is 51, leans back in her chair. The sky-cam is an experiment. She is putting together her first major art exhibition, which will occupy the top floor of the Whitney Museum of American Art beginning this month. How can we understand it on more human terms? The studio is a large concrete-floored room filled primarily with computer equipment.

Laura poitras net worth

Poitras has received numerous awards for her work, including the Academy Award for Best Documentary Feature for Citizenfour , about Edward Snowden , [6] [7] while My Country, My Country received a nomination in the same category in She was awarded the I. Poitras was one of the founding editors of the online newspaper, The Intercept. Growing up, Laura planned to become a chef, and spent several years as a cook at L'Espalier , a French restaurant located in Boston's Back Bay neighborhood. However, after finishing Sudbury Valley School , she moved to San Francisco and lost interest in becoming a chef. Poitras co-directed, produced, and shot her documentary, Flag Wars , about gentrification in Columbus, Ohio. Documentary at the Sundance Film Festival. The last third Citizenfour details how the War on Terror increasingly focuses on Americans through surveillance, covert activities, and attacks on whistleblowers. On August 22, , in a forum of short documentaries produced by independent filmmakers, The New York Times published an "Op-doc" produced by Poitras entitled The Program. The documentary was based on interviews with William Binney , a year veteran of the National Security Agency , who became a whistleblower and described the details of the Stellar Wind project that he helped to design.

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Premiera 26 lutego r. Odpowiednia info. Meanwhile, the second part presents algorithmic, organisational, ecological, and infrastructural alternatives allowing to overcome the intertwinement between the authoritarian power and technology. Do 17 marca r. Simultaneously, the assumptions on which they are based, the criteria according to which they classify, and the rules regulating their work are usually non-public and hidden. Alice Diop. Forensic Architecture conducted a fifteen-month long investigation culminating in the creation of a map displaying the acts of spyware usage targeting social activists, lawyers, human rights defenders, journalists, and opposition politicians. Teatr Capitol we Wrocławiu. Lila Avilés. Premiera 30 czerwca r. Fabien Giraud and Raphaël Siboni. Frida Kahlo. During Biennale Warszawa, the artists will elaborate on this conspicuous dichotomy of the regressive-conservative character of seemingly progressive technologies that surround us. Jacek Borcuch. Andrzeja Wajdy.

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Weronika Koralewska. Maryam Touzani. Premiera 1 września r. Since then, it was probably used in at least forty-five countries all over the world. Wystawa trwa do Dział Zagraniczny. Premiera 3 lutego r. In her newest, interactive work The Future Light Cone , she tells of the Mars conquest, human expansion in the cosmos, and the intertwinement of futurology and historical colonialism. Anna Gryszkówna. The Moth. Premiera 15 września r. During Biennale Warszawa, the artists will elaborate on this conspicuous dichotomy of the regressive-conservative character of seemingly progressive technologies that surround us.