Max mara fall 2016

Max Mara is a year-old Italian label known for one thing: coats. Specifically, camel coats. You could describe the coats as demi-couture—about 80 percent of each one is handmade, while a few components are machine-made.

Divine outerwear, simple as that. But wait: Max Mara livened it up with bright hues, stripes, chevron prints, and sequins. Bauhaus, Dada, Constructivism, Modernism were among the themes running throughout this collection: think female artists in boiler suits painting away in their studios, if those uniforms had been jazzed up and destined for a night out on the town. The pieces that will fly off the racks first are a long grey wool coat with slouchy matching pants, a navy pinstripe suit, black coats covered in wet varnish, a chic long camel coat, a white shearling and more of those cozy teddy bear coats. In other words, the look is a brand staple. What could be more desirable when the weather dips into single digits?

Max mara fall 2016

.

The silhouettes were dreamy, too: Most of the coats were long and lean, stretching nearly to the ankle to give just the slightest glimpse of the cropped pants underneath.

.

Max Mara is a year-old Italian label known for one thing: coats. Specifically, camel coats. You could describe the coats as demi-couture—about 80 percent of each one is handmade, while a few components are machine-made. Fittingly, the highlights of the Fall collection were a mix of traditional and cutting-edge: One ochre-colored coat appeared to be made of shaggy goat hair but was actually brushed-out, fluffed-up cashmere. Other coats came in nubby, substantial cashmere or fuzzy mohair, but none seemed to weigh more than a few pounds. The silhouettes were dreamy, too: Most of the coats were long and lean, stretching nearly to the ankle to give just the slightest glimpse of the cropped pants underneath. The best ones also had high, nipped-in waists—some cinched with a leather belt, others simply cut to flatter.

Max mara fall 2016

There was no missing it between the industrial brass, Machine Age set papered with Dada and Constructivist posters and the giddy cabaret soundtrack, much less the clownish Bauhaus-inspired portion of the collection, featuring coats in bright green, orange and yellow with contrasting black-and-white striped patch pockets. Important to note: For all the Weimar Republic fanfare, the show still opened with a perfect camel coat. Granted, it was semi-hidden under a much flashier, oversize silver sequined coat, but it made the point that Max Mara knows where its bread is buttered: Coats galore, and lots of good, realistic ones. There were nubby camel styles and a couple of long tailored herringbones.

Ulta beauty rehoboth

Save my name, email, and website in this browser for the next time I comment. Bauhaus, Dada, Constructivism, Modernism were among the themes running throughout this collection: think female artists in boiler suits painting away in their studios, if those uniforms had been jazzed up and destined for a night out on the town. Fittingly, the highlights of the Fall collection were a mix of traditional and cutting-edge: One ochre-colored coat appeared to be made of shaggy goat hair but was actually brushed-out, fluffed-up cashmere. Load More. The pieces that will fly off the racks first are a long grey wool coat with slouchy matching pants, a navy pinstripe suit, black coats covered in wet varnish, a chic long camel coat, a white shearling and more of those cozy teddy bear coats. Look 4. But wait: Max Mara livened it up with bright hues, stripes, chevron prints, and sequins. Divine outerwear, simple as that. And the mix of sequined gold and sober camels proved to be another winning combination. Other coats came in nubby, substantial cashmere or fuzzy mohair, but none seemed to weigh more than a few pounds. Urban Zen Fall Ready-to-Wear. Burberry Fall Ready-to-Wear. Specifically, camel coats. The Daily Media: Correction.

Citing female figures in the world of art, film and textiles, the Italian brand showcased its signature wool coats with a punchy flair. When not in its iconic camel hue, the coat gets an update, adorned with glittering paillettes or coated in plastic.

View Slideshow. Look 5. Fall Ready-to-Wear. Load More. The Daily Media: Correction. Look 4. A New PR…. Look 2. Fittingly, the highlights of the Fall collection were a mix of traditional and cutting-edge: One ochre-colored coat appeared to be made of shaggy goat hair but was actually brushed-out, fluffed-up cashmere. But wait: Max Mara livened it up with bright hues, stripes, chevron prints, and sequins.