Mœbius art

Science fiction would not look the same without the mœbius art of Jean Giraud, aka Moebius. The vertical orientation of the buildings and busy streets would be a regular feature in dystopian sci-fi. Still from the game Sable.

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Mœbius art

His most famous work as Gir concerns the Blueberry series, created with writer Jean-Michel Charlier , featuring one of the first antiheroes in Western comics , and which is particularly valued in continental Europe. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune and the comic book series The Incal. Blueberry was adapted for the screen in by French director Jan Kounen. Jean Giraud was born in Nogent-sur-Marne , Val-de-Marne, in the suburbs of Paris, on 8 May , [4] [5] as the only child to Raymond Giraud, an insurance agent, and Pauline Vinchon, who had worked at the agency. The rupture between mother and father created a lasting trauma that he explained lay at the heart of his choice of separate pen names. At age 9—10, Giraud started to draw Western comics while enrolled by his single mother as a stop-gap measure in the Saint-Nicolas boarding school in Issy-les-Moulineaux for two years and where he became acquainted with Belgian comic magazines such as Spirou and Tintin , much to the amusement of his schoolmates. At 18, Giraud was drawing his own humorous, Morris - inspired , Western comic two-page shorts, Frank et Jeremie , for the magazine Far West , his first freelance commercial sales. For example, two of the books Giraud illustrated for Fleurus, were co-illustrated with Guy Mouminoux , another name of some future renown in the Franco-Belgian comic world, and Giraud's work can only be identified, because he signed his work, whereas Mouminoux did not sign his. While not ample, Giraud's earnings at Fleurus were just enough to allow him — disenchanted as he was with the courses, prevalent atmosphere, and academic discipline — to quit his art academy education after only two years, though he came to somewhat regret the decision in later life. Conceding that he had been a bit too cocky and ambitious, Giraud stated, "I started the story all by myself, but after a week, I had only finished half a plate, and aside from being soaked with my sweat, it was a complete disaster. So Joseph went on to do the penciling, whereas I did the inks. Though he considered the assignment a daunting one, having to create in oil paints from historical objects and imagery, it was, besides being the best-paying job he had ever had, a seminal appointment.

He also wrote the "Story Notes" editorials for the American Epic publications, providing background information on his work contained therein. The way they treated mœbius art artists — who provided them with their bread and butter in the first place — was despicable, inexcusable, mœbius art.

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His most famous work as Gir concerns the Blueberry series, created with writer Jean-Michel Charlier , featuring one of the first antiheroes in Western comics , and which is particularly valued in continental Europe. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune and the comic book series The Incal. Blueberry was adapted for the screen in by French director Jan Kounen. Jean Giraud was born in Nogent-sur-Marne , Val-de-Marne, in the suburbs of Paris, on 8 May , [4] [5] as the only child to Raymond Giraud, an insurance agent, and Pauline Vinchon, who had worked at the agency. The rupture between mother and father created a lasting trauma that he explained lay at the heart of his choice of separate pen names.

Mœbius art

In the vast galaxy of artistic visionaries, Jean Giraud, the extraordinary French artist known as Moebius, stood as a luminous beacon. Born in on the outskirts of Paris, Moebius was a master of weaving threads of fantasy and science fiction into his spellbinding illustrations. Fusing elements of Impressionism, Art Nouveau, and Fauvism, Moebius forged a unique artistic language that transcended the limitations of reality. As his pencil danced across the page, his distinct style emerged — a mesmerizing blend of otherworldly landscapes and emotive storytelling. Moebius disturbs and consoles. He has the ability to transport us into unknown worlds where we encounter unsettling characters. My admiration for him is total.

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Archived from the original on 29 September I almost did the first computer-animated feature after that, it was called Star Watcher, we had the story, we had the preparation done, we were ready to start. A series for French television broadcaster France 2 , it consisted of fourteen four minute long animated vignettes, based on Giraud's seminal character, for which he did the writing, drawings and co-production. Archived from the original on 9 May La faune de Mars in French. Retrieved 11 March Archived from the original on 17 August Giraud's working methods were various and adaptable ranging from etchings, white and black illustrations, to work in colour of the ligne claire genre and water colours. Kenneth Paul Block Alan E. Besides raising their children, wife Claudine not only took care of the business aspects of her husband's art work, but has on occasion also contributed to it as colorist. So it's entirely fair to say, and I've said it before, that the way Neuromancer-the-novel "looks" was influenced in large part by some of the artwork I saw in Heavy Metal. Paris: Stardom. Dean Cornwell Harold von Schmidt. Aside from its professional importance, Giraud's stint at Hachette was also of personal importance, as he met Claudine Conin, an editorial researcher at Hachette, and who described her future husband as being at the time "funny, uncomplicated, friendly, a nice boy next-door", but on the other hand, "mysterious, dark, intellectual", already recognizing that he had all the makings of a "visionary", long before others did. She cited the speech , as she was very touched by it.

When ImagineFX magazine spoke to the art legend Moebius in , a year before his death, he looked back at a career of innovation and constant creativity. Here's the interview as it was published on 14 December

The Lieutenant Blueberry character, whose facial features were based on those of the actor Jean-Paul Belmondo , was created in by Charlier scenario and Giraud drawings for Pilote. It was in this period that Giraud, who had already picked up Spanish as a second language as a result from his various trips to Mexico and his dealings with Jodorowsky and his retinue, also picked up sufficient language skills to communicate in English. Milan: Nuages. He was an incredible producer, he said he wanted to show what eyes do not always see. Fall The cookie is used to store the user consent for the cookies in the category "Other. A Moebius story takes place in a highly imaginative world, often takes on philosophical questions, dares to explore the surreal, and in doing so, constantly surprises its audience. One of them was Ridley Scott who managed to reassemble a large part of Jodorowsky's original creative team, including Giraud, for his science fiction thriller Alien. What attracts other artists lies not in how he draws, but what he draws. It actually concerned a second attempt to get Starwatcher on the silver screen, [] but just like its predecessor, it eventually failed to come to fruition. La faune de Mars in French. My admiration for him is total. We demanded answers, proposals, improvements from him. Blueberry's in French. The vertical orientation of the buildings and busy streets would be a regular feature in dystopian sci-fi.