Mobley hank

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Materiał na albumie to dwie oryginalne kompozycje Mobleya i cztery standardy w wykonaniu kwintetu, do którego dołączyli Kenny Dorham na trąbce, Sonny Clark na fortepianie, Jimmy Rowser na basie i Art. Taylor na perkusji. Tone Poet to ekskluzywna seria wydawnicza Blue Note zapoczątkowana w roku, by uczcić Serię Tone Poet produkuje Joe Harley. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Don't Get Too Hip A2. Curtain Call A3.

Mobley hank

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His solo lines were full of intricate rhythmic patterns that were delivered with spot-on precision, and he was no slouch harmonically either. He soon started playing professionally in the area, and built enough of a reputation that trumpeter Clifford Brown recommended him for a job without having heard him play. He departed in and joined the house band at a Newark nightclub, where he played with pianist Walter Davis, Jr. That led to a job with Max Roach, who hired both Mobley and Davis after performing with them; they all recorded together in early , at one of the earliest sessions to feature Roach as a leader. Mobley spent much of performing and recording with Dizzy Gillespie.

Mobley hank

The Mosaic set presents an often thrilling, often depressing vision of an artist whose work continued to advance even as his career was being thwarted by the practicalities of the music business. Though Mobley made these recordings between the ages of thirty-two and forty, many of them nonetheless inhabit the rarefied realm of late work—art that feels as if its creator already has a foot in the beyond. His performances here, for all their energy, swing, melody, and charm, have a haunted sensibility, as if anticipating end times from however far away. They represent thirteen recording sessions that led to a dozen albums, only seven of which and few of the best were released soon after they were recorded—some were chopped up and mixed and matched—which denied Mobley his proper place in the music of his time and left him deeply frustrated. The albums gathered in the set are also streaming on Spotify. Born in Georgia in and raised in New Jersey, Mobley got his first major gig in , with the drummer Max Roach and recorded with him , and came to prominence in the mid-fifties, in the company of the pianist Horace Silver and the drummer Art Blakey. As the Mosaic set shows, Mobley partook in both tendencies, often at the same time. He said that Parker counselled him in this direction.

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Follow us: twitter facebook rss. Curtain Call A3. And as his style was laid-back, subtle and melodic, especially in contrast with players like Sonny Rollins and John Coltrane, it took connoisseurs until after his demise to fully appreciate his talent. He took part in one of the landmark hard bop sessions, alongside Art Blakey, Horace Silver, Doug Watkins and trumpeter Kenny read more Social Media. Register Login. Peter Gregson - Quartets Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Biscantores, Luca Colombo Na razie nie dodano żadnej recenzji. Serię Tone Poet produkuje Joe Harley. Nie Tak. Materiał na albumie to dwie oryginalne kompozycje Mobleya i cztery standardy w wykonaniu kwintetu, do którego dołączyli Kenny Dorham na trąbce, Sonny Clark na fortepianie, Jimmy Rowser na basie i Art. My Reverie B3. Thanks to snobb for the updates.

Soul Station is an album by American jazz saxophonist Hank Mobley recorded on February 7, and released on Blue Note later that year. Between these standards are four new Mobley compositions, featuring the bluesy title track and the uptempo "This I Dig of You".

Deep In A Dream B1. Curtain Call A3. Kenny Drew: Dark Beauty My Reverie B3. On The Bright Side wydano: more info: www. Sites in the MAC network: Progarchives. Indeks Peter Gregson - Quartets Share this site: more. Stay signed in. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Early in his career, he worked with Dizzy Gillespie and Max Roach.