Musical fidelity a5 test

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Musical fidelity a5 test

This review page is supported in part by the sponsor whose ad is displayed above. When approached to review the Musical Fidelity A5 components, I figured why not. I hadn't stepped on any landmines lately. Reading the letters to the Stereophile editor or discussions on Audio Asylum taking 'phile to task for their extensive coverage of Musical Fidelity products, one anticipates possible wrath from readers. But that's okay. I'm a big boy. I've been reviewing gear since and written more than equipment reviews. The fact is, I understand exactly where certain writers are coming from when they seem to lavish undue amounts of attention on certain manufacturers. After years of reviewing gear and dealing with manufacturers, it's inevitable that some will become favorites. Once you've identified a maker whose wares you fancy -- and who does what he says he'll do and when; and who doesn't try to interfere with the review process -- you 'd want to step back into those waters again, too. And why not? If another company can't get decent product to a reviewer or produce on schedule, why assume they'd treat a customer better? At the risk of tipping my hand so early in the review then, I'll say that all the criteria were met and it's my sincere hope to have Musical Fidelity gear under my roof again in the future. I admit that while I've always been intrigued by the line, I haven't always been enamored with its looks. For my tastes, Musical Fidelity gear was getting rather garish for a while.

I recalled reading about maple butcher block cutting boards used as equipment supports. Very cool space!

British developers believe that the amplifier has to be powerful. The apparent excess of watts will be needed when playing music with strong dynamic contrast arises. And according to their own estimates, the A5-INT even weak. In addition, a powerful technique has another advantage - positioned far clipping threshold. After the usual - watt amplifiers even class High End about cheap and I do not speak often give a sudden and unpleasant sharp overtone on powerful clear euphonious tones - this is especially noticeable when you connect the "heavy" and the acoustics in a large room. Here from this scourge you are insured.

This review page is supported in part by the sponsor whose ad is displayed above. When approached to review the Musical Fidelity A5 components, I figured why not. I hadn't stepped on any landmines lately. Reading the letters to the Stereophile editor or discussions on Audio Asylum taking 'phile to task for their extensive coverage of Musical Fidelity products, one anticipates possible wrath from readers. But that's okay. I'm a big boy. I've been reviewing gear since and written more than equipment reviews. The fact is, I understand exactly where certain writers are coming from when they seem to lavish undue amounts of attention on certain manufacturers. After years of reviewing gear and dealing with manufacturers, it's inevitable that some will become favorites.

Musical fidelity a5 test

Audio Forums. I bought the tuner from Nando who contributes to the forum and I would like to say what a great guy to deal with. We spoke on the phone and I can say he is a genuine HiFi enthusiast and can whole heartidly recommend dealing with him. Anyway the tuner which was new came boxed and with a remote control plus all the warrenty and manual stuff. The setup was easy it sef tuned all the Dab stations in, which where I live in Bradford managed 50 of them mind you a few really are not my taste. My system is currently a x naim power amp, x pre amp with micromega stage 6 cd player. The interconnect for this and my new tuner is 2 pairs of Audioquest Ruby's. All this feeding a pair of Linn Keleigh's on the special bases.

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But there's a lot of mass as well. This bothered me for a while. After years of reviewing gear and dealing with manufacturers, it's inevitable that some will become favorites. This review page is supported in part by the sponsor whose ad is displayed above. Earlier in the review, I made the comment that I initially didn't find the A5 components all that inspiring. And of course, my own listening impressions bear this out. Not hot but warm enough to indicate that I'd finally succeeded in allowing the amp to stretch its legs. Last edited: Mar 26, I recalled reading about maple butcher block cutting boards used as equipment supports. In fact the more I listened, the more inspired I found them and this is exactly as it should be. Dec 15, fmjunkie. Log in Register.

This is the Musical Fidelity A5. As well as the USB connector, those extra facilities include a rear-panel socket for remote control, allowing external control systems to access the amp's control system using either modulated or unmodulated RC5 code.

New posts. According to Musical Fidelity, that takes power. Imagine how happy i was. And once I started talking about the scene. A huge centrally located volume control is the A5's most obvious feature. Percussion, which is very important on this modern jazz disc, was punchy and lightning quick. Log in. I started wondering how much that mass had to do with the A5's transformation. What's new New posts Latest activity. Here on LP, it sounds expansive, powerful and rhythmic without the ear-piercing brightness of prior versions.