Panasonic 50 200mm review
Our sample of this intriguing new premium super-telephoto zoom arrived from Panasonic just a week ago, and we couldn't wait to take it out into the real world.
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Panasonic 50 200mm review
Using all three of the lenses gives you reach from ultra wide angle all the way up to super telephoto, and are designed to complement each other. Giving an equivalent of mm in 35mm terms, the lens can also be used with 1. Other specifications of the lens include dust, freeze and splash-proofing, Nano Surface Coating technology to minimise ghosts and flaring, and power OIS optical image stabilisation. This design is intended to suppress distortion and chromatic aberration. One of the main advantages of working with Micro Four Thirds lenses is their small size and weight. Two switches can be found on the base part of the lens - one which switches the Power OIS optical image stabilisation on or off, and another which switches between AF autofocus and MF manual focus. The main part of the lens has two rings. The central portion of the lens consists of the large zoom ring, which is ridged to help you get best grip on it. It is also marked with key focal lengths along the way, of 50, 70, , and mm, which helps you to quickly move the lens into your preferred position. Towards the front part of the lens is the manual focusing ring. This is much smaller than the zoom ring, but is ridged in exactly the same way. You can use this to finely tune manual focusing - it has a satisfying amount of give to make precise focusing a straightforward process, but there are no hard stops on either end of the ring to help you know when infinity focusing has been achieved. Supplied in the box is a long lens hood, which you can attach to the front of the lens using a locking mechanism. It can also be reversed to keep size to a minimum when transporting the lens. Also included in the box is a soft pouch which you can keep the lens in when not in use.
Here the angle of view is 6. Arkadiusz Olech. Indeed it is.
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This series of bright and compact zoom lenses now has a range from ultra-wide angle to super telephoto, and each one offers exceptionally beautiful image quality for photo and video shots. The 9 Panasonic Leica lenses have 5 different Leica names, which correspond to the brightness of the lenses:. The combination of 5-axis image stabilization and the high brightness of F2. The long focal length and the high brightness are ideal for portraits, where the subject is nicely separated from the background. Fortunately, the Panasonic mm is bright, because with a 2x teleconverter, you lose 2 stops of brightness, and with a 1. With the 1.
Panasonic 50 200mm review
Mounted on a Panasonic or Olympus mirrorless body, it delivers equivalent coverage of mm. Like earlier collaborations between the two companies, the DG mm is designed and certified by Leica in Germany, and manufactured by Panasonic in Japan. It also becomes the third model in the series to sport a variable f2. The Micro Four Thirds catalogue already has a variety of telephoto zooms with a similar focal range, but few that aim as high. The Leica DG mm f2.
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In terms of usability in the field across a variety of subject matter, and for extended periods, the relatively light weight of this lens needs to be mentioned once again. This can be reversed over the barrel for transportation. Latest articles All articles. The lens also works exceptionally well with the optional 1. One important component to the low weight in combination with the superb Dual IS functionality is that tripods become much less needed in general. Click on the image to see the sample at full size. OIS disabled left , enabled right. Lens Review Specifications Gallery Images. Striking separation : Taken on the same dull day as the shot of the geese above, I once again needed to rely on IS here, and a tad more gain boost in the ISO department. The central portion of the lens consists of the large zoom ring, which is ridged to help you get best grip on it. It's not a deal breaker, and I found AF to be accurate once acquired, but I anticipate focus to be somewhat faster with the higher-end GH5 and especially the G9.
Panasonic has produced here a telephoto zoom that is exceptionally easy to handle, produces excellent results and is priced realistically against the competition. Compared to full frame marques, it is priced very competitively when we consider what job the lens does. Not only that, but the compact, light construction mirrors the size of the MFT cameras and follows the ethos of the MFT system.
The focal ratio varies between f2. It most certainly will not stand up in an f-stop ICU and when laying horizontally, it occupied the full-width when mounted on a body. Buy Gordon a coffee! This can be a good thing if you use zoom to target BIF, or need to rack zoom in video. In the example above where both lenses were set to mm, the Olympus again delivers slightly softer and creamier background elements. Information about your browsing habits is shared with our social network, advertising and analytics partners. Information about your browsing habits is shared with our social network, advertising and analytics partners. Latest owners opinions. So a good result for the optical stabilisation on the Leica lens there. With the 1. Next, I attached the 1. Bokeh bubbles : I like the bokeh rendering from this lens on most of the shots in this piece. Strona wygenerowana w 0.
Where I can read about it?