Panasonic g9 ii review

This is a second generation in that G9 series from Panasonic. This is a micro four thirds camera,

They love the system for its portability, especially with long lenses for wildlife. But under the hood the G9 II also sports powerful video capabilities, which in some respects rival or even beat the GH6, so owners of the GH5 and earlier GH models will also be tempted. I tried out a sample running almost final firmware which Panasonic described as delivering final quality and performance. If you prefer to read the written highlights, keep scrolling! Same size, same controls, albeit roughly 80g lighter, due to the different sensor, shutter and IBIS units. While the G9 II may employ a different body to the original G9, both grips actually feel remarkably similar in both size and shape. The lack of cooling fan is also a factor in the weight difference.

Panasonic g9 ii review

The Phoblographer may receive affiliate compensation for products purchased using links in this article. For more information, please visit our Disclaimers page. In a growing trend of cameras made for content creators, the Panasonic G9 II is a camera that puts still images first. While video is available, the features that interfered with still images — like the bulky fan — are axed to prioritize stills. As a result, the G9 II offers better weather-sealing, more stabilization, cleaner high ISO images, and a much-improved autofocus system over the hybrid-focused Panasonic GH6. Sure, the G9 II has better stabilization and more telephoto lenses, but the narrow price difference will push some Panasonic fans towards the S5 II instead. The body boasts both comfort and durability. The stabilization is an impressive eight stops. Speed is a quick 60 fps or 10 fps with the mechanical shutter with pre-burst. RAW images are a bit cleaner than on the GH6. And the best part? But, while the autofocus is leaps and bounds ahead of the GH6, the Animal Eye AF falls behind competitors and frustratingly delivers a lot of misses. Both the body and lenses are on temporary loan from Panasonic. With more than five years between the G9 and G9 II, the release has several updates. The biggest changes, as we shared in our G9 II preview , are:.

The original G9 measured Find out now by reading our in-depth Fujifilm X-T5 review

The Panasonic Lumix G9 II is a flagship hybrid mirrorless camera with a Micro Four Thirds sensor that's aimed at both stills photographers and videographers. The biggest news for the G9 II is that it's the first ever Lumix Micro Four Thirds G-series camera to use a hybrid contrast and phase-detection auto-focus PDAF system, something that Panasonic fans have been asking for for a long time. Using AI-powered recognition technology, the G9 II's AF system now recognises cars and motorcycles and it can differentiate between the body and eye of an animal. The new The G9 II offers 60fps burst shooting with continuous auto-focusing and 75fps with the focus and exposure locked at the first frame with the larger buffer allowing around 3 seconds of shooting time. The special Pre-burst shooting mode means that the camera begins shooting up to 1. There's an impressive 8-stops of in-body image compensation IBIS and 7.

Despite its stills-centric roots, the Panasonic Lumix G9 II solidifies the brand's position as the leader for video right now. The G9 II offers a true hybrid camera experience, with well-rounded specs for photo and video that will satisfy a wide range of users. When it comes to stills, if you need more reach for sports or wildlife then the 2x crop factor makes this a compelling option. The G9 II can produce exquisite images, though there are limits to low light performance. Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. It has been almost six years since Panasonic released the original G9, but that was back when six years was a normal time between camera cycles.

Panasonic g9 ii review

The Panasonic Lumix G9 II is a flagship hybrid mirrorless camera with a Micro Four Thirds sensor that's aimed at both stills photographers and videographers. The biggest news for the G9 II is that it's the first ever Lumix Micro Four Thirds G-series camera to use a hybrid contrast and phase-detection auto-focus PDAF system, something that Panasonic fans have been asking for for a long time. Using AI-powered recognition technology, the G9 II's AF system now recognises cars and motorcycles and it can differentiate between the body and eye of an animal. The new The G9 II offers 60fps burst shooting with continuous auto-focusing and 75fps with the focus and exposure locked at the first frame with the larger buffer allowing around 3 seconds of shooting time. The special Pre-burst shooting mode means that the camera begins shooting up to 1. There's an impressive 8-stops of in-body image compensation IBIS and 7. The special High Resolution mode delivers megapixel images 11, x 8,pixels for the ultimate quality when detail really matters and it works hand-held as well as with the camera mounted on a tripod.

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Sure, the G9 II has better stabilization and more telephoto lenses, but the narrow price difference will push some Panasonic fans towards the S5 II instead. Some of the video functions built into the Lumix G9 II. But the camera seemed to focus pretty quickly in limited light. Panasonic haven't just rested on their focusing laurels, though, as there are also a significant number of additional upgrades that help turn the already well-regarded original G9 model into an even better Mark II edition for The Panasonic Lumix G9 II's maximum shutter speed is 60 seconds and there's also a Bulb option for exposures up to 30 minutes long, which is excellent news if you're seriously interested in night photography. The image stabilization does an amazing job. However, the noise is well under control. That really is a mode that works. The built-in image stabilization system is rated up to 7. Nando Harmsen is a Dutch photographer that is specialized in wedding and landscape photography. There is a dedicated switch for the autofocus settings at the back of the camera, with a button inside for the autofocus options. The Panasonic Lumix G9 II is a flagship hybrid mirrorless camera with a Micro Four Thirds sensor that's aimed at both stills photographers and videographers. Also, the three buttons for white balance, ISO, and exposure correction are placed in such a way that it becomes less easy to distinguish between the three.

The Lumix G9 line has come a long way in five years, and the second iteration is a more capable all-rounder, and a great choice for capturing action thanks to the introduction of phase-detection autofocus.

My drive modes are right here. The benefit extends toward wide-angle lenses as well. It weighs the same as the original G9, and the dimensions are off by only a few millimeters. If you prefer to read the written highlights, keep scrolling! I shot with the Panasonic G9 II in some light rain and, just to be sure, also gave the camera a pretty good splash from the sink. Switch to the electronic shutter and you can fire at 20 or 60fps with AF, or a huge 75fps with fixed focus. So there are significant video capabilities on this camera that most people are going to overlook. Live Composite. If you love Micro Four Thirds. On people, eye AF seemed to work a bit better. Although the speeds top at 14 frames per second, or 75 frames per second in raw burst, this is without continuous autofocus. Despite lacking the 4K photo modes, pre-burst is still part of the G9 II. Behind the finger dial are the same three hard buttons dedicated to White Balance, ISO and Exposure Compensation as the original G9, which are adjusted by pushing while turning one of the dials. The G9 II is a great step forward. The autofocus was good.