succession av club

Succession av club

If you thought that our power ranking heading into the final episode of Succession would be the last one ever—surprise! But our readers spoke up and requested a final counting of the heads, succession av club. Far be it for The A.

The best trick Succession pulled on its audience was making us legitimately care about a bunch of loathsome rich people. We celebrated their victories, enjoyed their rare moments of camaraderie, and mourned their losses. Each time Kendall Jeremy Strong , Siobhan Sarah Snook , or Roman Kieran Culkin came close to learning something or moving past the damage and trauma inflicted upon them by their brute of a father Brian Cox , we felt a little bit of hope. And even after that hope was inevitably dashed, we fell right back into the trap again the next time around. Logan Roy is a monster full stop. Throughout the series there are hints that Logan had a difficult childhood.

Succession av club

Succession has never been about Logan Roy, save in terms of negative space. And then, suddenly, we slam mid-episode into the truest absence of all. Logan Roy died tonight in an airplane bathroom, where no one—not even the camera—could watch the old bear as he finally abandoned us all for good. In a brilliant, cruel episode of Succession , no decision is more brilliant or cruel than that. No last words or reflections. No final confrontation. Later, Tom will process his grief in the usual way, kicking shit downward to Greg, and trying desperately to maneuver. But that comparison, I suspect, will also serve as a demonstration of how much better this show is now than it was back then, when the performers were still finding these characters, and the series itself had yet to grow fully comfortable with its more dramatic elements. Certainly, nothing back in that second episode can compare to the gut-wrenching, tear-inducing sequence in which Roman, then Kendall, and then Shiv all address their father for the final time tonight. And I love you. And so grieving gives way, for everybody, to controlling the narrative. But it was far more stiff, far more sterile, than what we get here, because all involved had yet to grasp that the series could make this stuff more awful by dialing into these characters as genuine people, not less. Succession has since become a show where grief and business manipulation can operate in the same breath with each other, where even more minor characters like Karolina and Frank can be both human beings and conniving corporate drones in simultaneous moments. And also, Connor is there.

She genuinely seemed to care for Logan, yet she also made some savvy moves to consolidate her control over him and the company.

From the beginning, Succession has cribbed storylines from reality. Election interference. Tech mogul misconduct. Reality-adjacent media narratives. The more we learned about Lukas Matsson, the more we were reminded of Elon Musk and his fraught reign as Twitter CEO—which is kind of astonishing when you realize that this season was written long before he took over.

That statement may, in fact, be the one really true thing Logan says during this entire hour of TV, which spends so much of its run-time watching him baldly speak reality into existence simply to suit his whims. Interesting that I called that out as a go-to Shiv move last week , as she not-inaccurately accuses the old man of mastery of the form tonight. The Logan Roy magic trick can be a loud one, as when he steps up onto a couple of boxes of printer paper on the ATN hanger floor and turns a bunch of snickering eye-rollers into battle-crazed minions, ready to die for their king. Kendall hits back. Shiv marshals her counter-evidence.

Succession av club

For three seasons and change, Logan Roy did everything in his power not to give his company to his kids. His reasons for this were myriad, and mostly evil, the petty tantrums of a tyrant who felt far more love for his sense of control than he ever did for flesh or blood. But one of the awful things about Logan Roy was that he was so frequently correct in his ugly assessments of people. Because despite his best efforts, Logan Roy still left his kids a loaded weapon in his will. And tonight they picked it up, fumbled with the trigger for 60 minutes, and then shot America in the head. Not that it matters all that much, since Tom barges into the ATN control room like 30 seconds later to confirm the call. And she almost pulls it off, too. Thus are national elections made. Shiv Roy is no saint.

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Facebook Twitter Email. Bounce Houses and Baseball Cards. The slimy trickster tech bro walks away with all the marbles—Waystar Royco, ATN, and a hand-picked frontman to run things and take the abuse when things get nasty. Your shiny little gravestone. So here they are, by popular demand, the final power rankings for Succession. Off English. Certainly, nothing back in that second episode can compare to the gut-wrenching, tear-inducing sequence in which Roman, then Kendall, and then Shiv all address their father for the final time tonight. Darcy to bear on her in a moment of weakness, could give it a run for its money. It ends with Logan taunting him about Andrew Dobbs and leaving in a snit. Succession has never been about Logan Roy, save in terms of negative space. Succession has since become a show where grief and business manipulation can operate in the same breath with each other, where even more minor characters like Karolina and Frank can be both human beings and conniving corporate drones in simultaneous moments. With tears in his eyes, Kendall asks his sister to take care of him. Shiv Roy is no saint.

The world is upside down as we return, at long last, to Succession Land tonight.

Lukas Matsson. Continue reading. Slide 1 of Facebook Twitter Email. Pop culture obsessives writing for the pop culture obsessed. Logan knew exactly what he was doing. Published May 29, Wrong Kind of Black. Protesters and counter-protesters swarm the scene, as both sides rush to control the narrative. The Village People want Trump to stop the music.

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