tchaikovsky piano concerto 1 meilleure version

Tchaikovsky piano concerto 1 meilleure version

Sunday, January 1, There have been many outstanding recordings of Pyotr Ilyich Tchaikovsky's music, far too many to include here, but the albums listed below will give you the best possible way of beginning or continuing your journey through Tchaikovsky's music. The list is organised by genre, beginning with concertos and symphonies, then moving though chamber, instrumental, and finally vocal works.

Log in. Sign up. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. This one is one of the best imo. Sort by Oldest first Oldest first Newest first Most reactions. They both treat it with respect and dignity and not turn it into some barnstorming flashy showpiece.

Tchaikovsky piano concerto 1 meilleure version

Claire Jackson explains how this king of the concert hall triumphed despite its inauspicious start in life, and presents the best recordings of Tchaikovsky's Piano Concerto No. Keen to persuade Nikolai Rubinstein to give its premiere, Tchaikovsky played the piece from start to finish in the company of the eminent pianist. Rubinstein remained quiet throughout — before dismissing the work in no uncertain terms. The snub stung Tchaikovsky, who conveyed the details of this disastrous read-though in a letter he wrote some three years after the incident. The Concerto, which was revised several times by Tchaikovsky the version is the most commonly played , has gone on to become one of the most popular works in the piano repertoire and is a staple in competition finals. Like the Mozart concertos, it can be both frothy and deeply complex, leading many pianists to revisit it at various points in their career, exploring different aspects along the way. Emil Gilels made a handful of recordings of the Concerto and Martha Argerich has so far released three. The piece has never been out of fashion, recorded by pianists across generations, from Claudio Arrau to Haochen Zhang. As for Rubinstein, he made a U-turn on his denouncement, and — possibly to show that there were no hard feelings Tchaikovsky continued to dedicate compositions to the Russian virtuoso, including his Second Piano Concerto. But before that integration, the declamatory piano part set over soaring strings in the grand introduction rouses even the most fatigued listener. At first, the opening appears to be almost a separate piece in itself — the big chordal melody does not make an obvious return throughout the movement. The gorgeous, but meandering, development may have been what Rubinstein objected to in that unsuccessful preview; the subtle evolution against sudden changes in texture was unusual for the period.

Piano Concerto in One Movement. What were the first piano recordings?

From the J. From the devilishly challenging to the simply beautiful, here are 20 piano concertos that we think everyone should hear Although it received its premiere in in the thick of the Napoleonic Wars, it has no relation to the infamous military commander. In fact, Beethoven was increasingly disapproving of Napoleon, having retracted the dedication of his third symphony after Napoleon became Emperor of France seven years earlier. Read more: The 20 greatest Beethoven works of all time. It was written in when the composer was just 24, and opens with a dramatic timpani roll followed by one of the most famous flourishes in classical music.

Claire Jackson explains how this king of the concert hall triumphed despite its inauspicious start in life, and presents the best recordings of Tchaikovsky's Piano Concerto No. Keen to persuade Nikolai Rubinstein to give its premiere, Tchaikovsky played the piece from start to finish in the company of the eminent pianist. Rubinstein remained quiet throughout — before dismissing the work in no uncertain terms. The snub stung Tchaikovsky, who conveyed the details of this disastrous read-though in a letter he wrote some three years after the incident. The Concerto, which was revised several times by Tchaikovsky the version is the most commonly played , has gone on to become one of the most popular works in the piano repertoire and is a staple in competition finals. Like the Mozart concertos, it can be both frothy and deeply complex, leading many pianists to revisit it at various points in their career, exploring different aspects along the way. Emil Gilels made a handful of recordings of the Concerto and Martha Argerich has so far released three.

Tchaikovsky piano concerto 1 meilleure version

It's among the most popular works in the entire classical repertoire, a favourite of concert pianists headlining with symphony orchestras the world over. And therein lies a story: Tchaikovsky had written the concerto for his Moscow Conservatory colleague, Nikolay Rubinstein, to play. But Rubinstein said it was badly written and refused to play it unless Tchaikovsky made important changes. The concerto was an immediate success and has been a staple of the repertoire ever since, its penetration into pop culture later being confirmed by its use on The Simpsons , Mad Men and numerous films. Its most famous performance happened at the inaugural International Tchaikovsky Competition in — the height of the Cold War — when pianist Van Cliburn played it in the final round. It took approval by then Soviet leader Nikita Krushchev for the jury to award the first prize to an American.

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The Scherzo is fresh and light, and the opening of the finale has ample weight to contrast with the lightness of the second subject, its cross-rhythms suggesting Cuban rhythms. Brahms — Piano Concerto No. Please consider creating a new thread. Written just after he had left Florence, having completed the Queen of Spades , Tchaikovsky was prompted to compose one of his happiest works, one which for once gave him enormous pleasure. Earlier still in Dorati recorded every note with the Minneapolis orchestra but these discs have been out of the British record catalogue for some years, and the sound never quite did the music justice. A splendid recording from the hugely impressive Julia Fischer. And yet — tellingly — the return of the second subject is fleet and songful rather than indulgently fulsome as is so often the case. Like the Mozart concertos, it can be both frothy and deeply complex, leading many pianists to revisit it at various points in their career, exploring different aspects along the way. Gilels again keeps it moving right along. For some years, the touchstone for the Tchaikovsky quartets has been the Borodin Quartet recordings Teldec , eloquent accounts that reach deeply into the music. More instruments See more More instruments. The piano does feel a little tinny towards the end of the movement, but not enough to distract from an otherwise triumphant account. There have been many Tchaikovsky collections like this, but with well balanced sound, outstandingly rich and ripe in the brass section, this is among the finest.

The Piano Concerto No. Rubinstein later withdrew his criticism and became a fervent champion of the work. It is one of the most popular of Tchaikovsky's compositions and among the best known of all piano concerti.

Read the Gramophone review Symphony No 6. The Tempest has similarly contrasting sections, but begins and ends with a gently evocative seascape, with shimmering arpeggios from strings divided in 13 parts. An exquisite example of Baroque ensemble music-making. Hold on to your hats Arsha Kaviani. Among Argerich versions I found Dutoit the most convincing, with an appropriate sweep to the orchestral sound. All three movements are in the home key and thematically linked yet are enticingly diverse, the first with strong contrasts of dynamic and tempo, the second a most engaging scherzo marked non agitato and with slower interludes , while the rondo finale bursts with energy especially as presented here. There have been many Tchaikovsky collections like this, but with well balanced sound, outstandingly rich and ripe in the brass section, this is among the finest. From the J. The gorgeous, but meandering, development may have been what Rubinstein objected to in that unsuccessful preview; the subtle evolution against sudden changes in texture was unusual for the period. Top Contributors this Month View All.

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