Winnie the pooh: blood and honey porn

A horror retelling of A. Milne's book Winnie-the-Pooh, and follows the anthropomorphic characters Winnie-the-Pooh and Piglet as they become bloodthirsty murderers when Christopher Robin abandons them for college. To report an issue with this product or seller, click here.

American copyright on A. So, despite Disney controlling much of the IP, there was apparently nothing to stop British writer-director Rhys Frake-Waterfield making a gruesome horror movie in which Pooh and Piglet, abandoned by Christopher Robin, become hulking mutants and slaughter anyone who ventures into the Acre Wood. There might have been mileage in doing a Pooh which emphasises the Toy Story -like hurt of abandoned childhood friends. But this gets that out of the way before the credits, then becomes an AirBnB slasher. A bunch of young women on a girly weekend in the vicinity of all the disappearances and mutilations are surprised to be ground to pieces in unpleasant torture porn set-pieces. With the poorest writing and acting seen in a theatrically-released horror film in living memory, this fails on every level. Frake-Waterfield manages a few nice tilted camera angles and some decent shots of misty English woods, but it all falls apart when characters talk — dialogue sounds improvised or Google-translated — or perform the simplest physical actions.

Winnie the pooh: blood and honey porn

Winnie the Pooh: Blood and Honey does nothing with its great concept, resulting in a brutal but painfully shallow slasher that only select viewers will enjoy. For some reason, so many people seem to detest the very idea of a Winnie the Pooh horror movie. I say this as someone who was huge on Winnie the Pooh in my childhood and still holds a place for it in my heart: this is a fantastic idea, and writing it off so instantly is very close-minded to me. The concept of childhood friends turning on you for leaving them behind, applied to icons that are so precious to so many of our own childhoods, is rich with possibilities that could make it a truly upsetting horror film. Even if you ignore previous Winnie the Pooh material at see this as its own film, the concept still has a ton of potential. Or maybe Blood and Honey could be an intentional black comedy that darkly riffs on familiar material. What would be wrong with any of this? If Batman can be equally accepted as campy 60s television and gritty, dramatic cinema, why should other franchises be put in boxes? But when he leaves for college, the animals are forced to fend for themselves in the harsh wilderness. This turns them cruel, mute, and hateful of all humans, and when Christopher returns years later, they take their revenge and hold him prisoner. Instead, we mostly follow a group of university students who rent a cabin in the Hundred Acre Wood after one of them, Maria Maria Taylor , has a traumatic experience with a stalker. This group is slowly picked off by Pooh and Piglet as they try to find a way to stop the savages, eventually coming across the person who should have been the lead, Christopher Robin. That really is one of the biggest, most confusing problems with Winnie the Pooh: Blood and Honey. The actual main characters have nothing to do with the most interesting aspects of this story.

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By Miles Klee. Oh, bother. Might there be a worthwhile story in which Pooh and Piglet, all grown up and demonic, stalk and murder trespassers in their woodland home? When the movie first garnered viral interest for its gimmick — screenwriter and debut director Rhys Frake-Waterfield began production as soon as the rights to Winnie-the-Pooh entered public domain in — the possibilities were substantially broader. Perhaps it would explore the lingering psychic wounds of childhood?

This English production, making its way to 1, theaters in America this week, aims to take the piss out of one's childhood nostalgia, which is mirrored here by what happens to poor Christopher Robin Nikolai Leon —he returns home from college to find out that his boyhood pals have become human-hating murderers. Before some flashy, forensic opening credits straight out of s horror, they make their first kill. But for how shocking this may sound in getting one over on anyone offended by its concept, it's not the perverting of A. Milne's work that's any part of the problem. As a horror and a comedy, "Winnie-the-Pooh: Blood and Honey" has no rhythm with either, and it's too dim to be worthy of a curious look. The best joke is that you see Pooh's round ears and button-nose in ominous shots where Leatherface or Michael Myers are supposed to be, with red overalls and a rubbery mask that's frozen to a type of honey-suckling grin. Judging from the mildly amused reactions of other people in the theater, those reveals are the film's most consistent chuckles, and I agree. You never get tired of seeing Frake-Waterfield's version of Pooh and Piglet portrayed by Craig David Dowsett and Chris Cordell , respectively pitched as towering psychopaths, but the movie also makes you wish it tried harder. Take away the Pooh and Piglet stuff, and you have a ho-hum stalker thriller that treats its one-dimensional characters as punchlines for gory scenes its budget can't fully deliver on. Frake-Waterfield doesn't even humor us with much development or care for these women; we know that one of them, Maria Taylor's Maria, is traumatized by a man who stalks her back in the city, and this is her getaway.

Winnie the pooh: blood and honey porn

Originally created by author A. Milne and illustrator E. Shepard , Winnie-the-Pooh is a loveable anthropomorphic teddy bear that holds a special place in the hearts of many. Disney also removed the hyphens from the title, saving everyone precious time when writing about Winnie the Pooh. Writer and director Rhys Waterfield seized this opportunity when he decided to make a live-action slasher film called Winnie-the-Pooh: Blood and Honey. He currently has several films in post-production and has had multiple recurring collaborations with cast members from his movies. There are bound to be a lot of questions, so be sure to read on to learn everything we know so far about this upcoming childhood nightmare flick. Oh, bother. In the Acre Woods, visits and adventures with Christopher Robin become less frequent as he gets older.

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Gaming Forum. Images in this review. Milne's book Winnie-the-Pooh, and follows the anthropomorphic characters Winnie-the-Pooh and Piglet as they become bloodthirsty murderers when Christopher Robin abandons them for college. This group is slowly picked off by Pooh and Piglet as they try to find a way to stop the savages, eventually coming across the person who should have been the lead, Christopher Robin. Full stop. Back to top. Added to. While too much fan service is annoying, no mention of Tigger feels like a grievous oversight. It's an interesting idea that should never have come to fruition. If he's so indestructible why doesn't he just walk through the nearest town slaughtering everybody? Oct 25, 4, Brief content visible, double tap to read full content. King Kong Sophie Thatcher.

Winnie-the-Pooh: Blood and Honey is a British independent slasher film produced, directed, written, and edited by Rhys Frake-Waterfield.

Latest threads. Overall this movie is not as bad as people say it is, but I think it could've been so much better. By Miles Klee. Sign in with Twitter. That's the only barometer I care about. He just killed my wife! Nida Member. There was a problem filtering reviews right now. Could it play against our cravings for nostalgia and comforting fantasy? Sadly so many horror fans are gobbling it up and enjoying it cause "it's meant to be trash". Just saw it.. FireWarrior said:. Add a debit or credit card to save time when you check out. DeoGame Member.