Yamaha stagepas 300 pa system

By Bob Kovacs.

Remove the rear panel of the speaker and put in the things you need. Crisp highs Punchy mids. Big, fat bass. Its exceptional high-quality and power makes it ideal for almost any PA application. Its rugged, durable construction makes it perfect for the road. Versatile application features Flexible placement options let you stand the speakers up or lay them on their sides.

Yamaha stagepas 300 pa system

Photo: Mark Ewing. An affordable complete vocal PA you can carry from the car to the stage in one trip! Yamaha's Stagepas is a surprisingly compact yet reasonably powerful stereo sound system comprising a pair of moulded, passive two—way speakers and a small powered mixer that stows into a recess in the rear of one of the speaker cabinets for transport or storage. The other speaker has a similar recess with a removable cover for stowing cables or mics. Given that the system's mixer-amp is little larger than a decent box of chocolates, that is quite remarkable. Sadly, the accompanying documentation doesn't say what kind of amplifier technology is being used, but to make the amp this small and light I suspect that they're using some kind of Class—D circuit or, at the very least, a switch—mode power supply. The speaker cabinets, which measure approximately 18 x 11 x 10 inches, are moulded from a tough, resilient plastic with no obvious resonances but, unusually, they don't have a pole—mount fitting built in. You have to buy external stand adaptors as accessories if you wish to stand—mount the speakers, which seems rather odd to me, as how else would you use them? Both speakers are identical, so either one can hold the mixer amp while the other can be used to store the supplied speaker and power cables or a couple of mics. To secure the mixer into the rear of the speaker, there are two twist locks that can be opened with any suitable coin, and the mixer is stowed 'controls out', so that it can be used while still fitted to the speaker if necessary although the front panel would then be 'sideways on' to the user, if the speakers were being used upright. I'd prefer catches that didn't require tools to open, but even musicians tend to have the odd coin about their persons and the catches actually work very well. All the connections, including the IEC mains inlet, are on the top of the mixer. Passive crossovers inside the speakers operate at 4kHz, and a strong, perforated—steel grille protects the cone driver.

Its exceptional high-quality and power yamaha stagepas 300 pa system it ideal for almost any PA application. Versatile application features Flexible placement options let you stand the speakers up or lay them on their sides. Yamaha's Stagepas is a surprisingly compact yet reasonably powerful stereo sound system comprising a pair of moulded, passive two—way speakers and a small powered mixer that stows into a recess in the rear of one of the speaker cabinets for transport or storage.

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Yamaha stagepas 300 pa system

The new STAGEPAS i and i are complete, all-in-one sound solutions that are extremely portable and easy to set up, allowing users to instantly add high quality sound reinforcement to virtually any environment. The two lightweight speakers and a detachable mixer, along with one pair of speaker cables and a power cord, combine into an attractive, compact package that provides the kind of portability that no roadie would ever dare to dream of. Even users with no PA operation experience will be able to produce high-quality sound in under a minute. Whether you're giving a speech or playing a gig, STAGEPAS is equipped with intelligent new features that provide simple, intuitive control of optimized settings, making it easy to dial in your perfect sound in a matter of seconds.

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If a crossover is placed between power amps and speakers usually built into the speakers , it is said to be 'passive'. The amplifier claims a rather optimistic maximum power of W per channel into six ohms, but a more reasonable expectation is W per channel. As the mixer is stowed 'knobs out', you need to be reasonably careful how you pack it in your car, unless you have the optional gig bag, which I'd highly recommend. Ready to perform — wherever you go! For stand mounting of the speakers you'd need to buy the optional adaptors, but other than that, this is perhaps the ideal system for a pub solo artist or duo, or for an acoustic act needing a bit of FOH reinforcement. It's not recommended to drive the system so hard that the limiter LED comes on, or sound quality will suffer somewhat, but the built—in Limiter is still a useful form of speaker protection. It's also worth mentioning that, unlike some other compact PA alternatives, you can't fasten the speakers face—to—face to protect them in transit another good reason to invest in the optional gig bag. Big, fat bass. EQ Before Tracking? Vocalists Just plug yourself in and play! A master reverb control adjusts the overall amount of reverb added, but as there is no variable send on the channel strips, the reverb amount is the same for all channels on which the reverb switch is engaged. Class D is very efficient, allowing smaller power supplies to be used.

The STAGEPAS portable PA system strikes a perfect balance between high-quality sound and ultimate portability, allowing you to turn virtually any location into your own intimate live stage.

The mixer slots into the storage space on whichever speaker isn't being used for cables. Achieving the right mix literally took a couple of seconds, as this system is perhaps the easiest to adjust that I have ever used. Reprinted from Pro Audio Review. Reprinted with permission. Crisp highs Punchy mids. The mixer has no pre-fade sends, so you can't generate an independent monitor mix from it, and its mic inputs can't power capacitor mics or active DI boxes that need phantom power, but in the system's favour is its solid sound, its very compact format and its affordability. For stand mounting of the speakers you'd need to buy the optional adaptors, but other than that, this is perhaps the ideal system for a pub solo artist or duo, or for an acoustic act needing a bit of FOH reinforcement. High power, high quality The built-in amplifier puts out a full watts of power into each channel, and utilizes Class D amplification for maximum efficiency, low heat, and remarkably high fidelity. The human ear is capable of hearing an enormous range of sound pressures — the ratio of the sound pressure from the minimum up to damaging levels from even short—term exposure is more than a million — necessitating a logarithmic scale, which also corresponds roughly to our psychological perception of loudness. Setting up the system for a performance took me no more than two minutes before I was ready to roll, including a vocal mic and plugging in my guitar. The other speaker has a similar recess with a removable cover for stowing cables or mics. The volume even attracted the attention of a few joggers in the park and the built-in reverb added a little interest to the sound of my guitar. Steel handles help to protect the front of the mixer when stowed, and although the main body of the mixer housing is made from resilient plastic, the front panel is metal and all the jacks are fixed with metal nuts, not plastic ones. The mixer's layout and operation are completely intuitive and natural.