70s sci fi art
Coming of age in the s I was an aficionado of all things visual: from comic books on newsstand racks to paintings on museum walls to paperback covers on the shelves of my favorite bookstores. Decades later I stumbled across the wonderful site 70s Sci-Fi Art, a Tumblr curated by writer Adam Rowe that transported me back to those years of discovering brave new illustration styles. After years of 70s sci fi art the images through his site and social media, Rowe has recently compiled the innovative book Worlds Beyond Time: Sci-Fi Art of the 70s Abrams Books. For fans of the genre, this tome offers the perfect yesteryear view of a speculative tomorrow, 70s sci fi art.
Worlds Beyond Time is the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of s paperback sci-fi art and the artists who created these extraordinary images. In the s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves or spinner racks. Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race—fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward. In Worlds Beyond Time , Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences.
70s sci fi art
Coming of age in the s I was an aficionado of all things visual: from comic books on newsstand racks to paintings on museum walls to paperback covers on the shelves of my favorite bookstores. Decades later I stumbled across the wonderful site 70s Sci-Fi Art, a Tumblr curated by writer Adam Rowe that transported me back to those years of discovering brave new illustration styles. After years of spreading the images through his site and social media, Rowe has recently compiled the innovative book Worlds Beyond Time: Sci-Fi Art of the 70s Abrams Books. For fans of the genre, this tome offers the perfect yesteryear view of a speculative tomorrow. What was it about that era of science fiction and fantasy art that originally reeled you in? The art always uses analog materials, but often feels sharp and sleek thanks to tools like airbrushes. And the imagination behind the subject matter is so refreshing: So many modern mainstream science fiction visuals in film or TV center on dull, militarized spaceships, as opposed to wild concepts like cities in bubbles or a crowd of humanoid cat aliens. I just saw a Paul Lehr illustration of an orange planet with a purple ring yesterday and was simply in awe. What were a few of your challenges in assembling this book? Were you able to reproduce from original paintings? Any artists who fell through the cracks? In a lot of cases, the artists or their families were able to provide large, high quality scans of the original artworks.
I wanted to explore what the world of science fiction magazines was like in the s, and all the drama inherent to that rise and fall made Galileo the most intriguing entry point. What were 70s sci fi art few of your challenges in assembling this book?
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Coming of age in the s I was an aficionado of all things visual: from comic books on newsstand racks to paintings on museum walls to paperback covers on the shelves of my favorite bookstores. Decades later I stumbled across the wonderful site 70s Sci-Fi Art, a Tumblr curated by writer Adam Rowe that transported me back to those years of discovering brave new illustration styles. After years of spreading the images through his site and social media, Rowe has recently compiled the innovative book Worlds Beyond Time: Sci-Fi Art of the 70s Abrams Books. For fans of the genre, this tome offers the perfect yesteryear view of a speculative tomorrow. What was it about that era of science fiction and fantasy art that originally reeled you in? The art always uses analog materials, but often feels sharp and sleek thanks to tools like airbrushes. And the imagination behind the subject matter is so refreshing: So many modern mainstream science fiction visuals in film or TV center on dull, militarized spaceships, as opposed to wild concepts like cities in bubbles or a crowd of humanoid cat aliens. I just saw a Paul Lehr illustration of an orange planet with a purple ring yesterday and was simply in awe. What were a few of your challenges in assembling this book? Were you able to reproduce from original paintings?
70s sci fi art
Coming of age in the s I was an aficionado of all things visual: from comic books on newsstand racks to paintings on museum walls to paperback covers on the shelves of my favorite bookstores. Decades later I stumbled across the wonderful site 70s Sci-Fi Art, a Tumblr curated by writer Adam Rowe that transported me back to those years of discovering brave new illustration styles. After years of spreading the images through his site and social media, Rowe has recently compiled the innovative book Worlds Beyond Time: Sci-Fi Art of the 70s Abrams Books. For fans of the genre, this tome offers the perfect yesteryear view of a speculative tomorrow.
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Advertisers: Contact Us. What do you think were their motivations? Advertisers: Contact Us. What was your pitch to get him involved? Michael Gonzales Harlem native Michael A. It varied a lot, but well-known authors definitely were able to at least recommend the artists they preferred. Vintage Magazines. How did you discover it? Book covers are ultimately about marketing, and so they have to stay fresh. Lit Hub Daily: March 12, March 12, One artist I loved growing-up, but never knew his name until reading your book, was Dean Ellis.
The s was a decade of immense cultural and artistic transformation, and science fiction art played a pivotal role during this time. Science fiction art in the 70s was characterized by a sense of boundless possibility and utopian visions of futuristic societies.
Decades later I stumbled across the wonderful site 70s Sci-Fi Art, a Tumblr curated by writer Adam Rowe that transported me back to those years of discovering brave new illustration styles. Dismiss without supporting Lit Hub. This is because using the same artist for the same author establishes a visual continuity that helps the audience know what to expect. Advertisers: Contact Us. What do you think were their motivations? What were a few of your challenges in assembling this book? I believe publishers were the orchestrators for the more well known author-artist team-ups. Marvel has leaned into the 70s sci-fi aesthetic for their cosmic space movies. The publishing industry began consolidating around that decade as well, and so they. The art always uses analog materials, but often feels sharp and sleek thanks to tools like airbrushes.
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