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On his money, his power, and, most of all, on his toxic, irresistible approval, which never came without a healthy dose of mind games attached. As always, the welcome return of Hiam Abbass to the show brings with it the perfect smiling coldness of a character who knows she has the ultimate trump card here: her name in ink, avclub succession, when almost everyone else has been sketched in with promises and pencil. The wake is, of course, mostly stage dressing, as all the usual suspects spend their time conspiring in various kitchens and upstairs rooms trying avclub succession figure out avclub succession Succession shit at last.

For three seasons and change, Logan Roy did everything in his power not to give his company to his kids. His reasons for this were myriad, and mostly evil, the petty tantrums of a tyrant who felt far more love for his sense of control than he ever did for flesh or blood. But one of the awful things about Logan Roy was that he was so frequently correct in his ugly assessments of people. Because despite his best efforts, Logan Roy still left his kids a loaded weapon in his will. And tonight they picked it up, fumbled with the trigger for 60 minutes, and then shot America in the head.

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Succession has never been about Logan Roy, save in terms of negative space. And then, suddenly, we slam mid-episode into the truest absence of all. Logan Roy died tonight in an airplane bathroom, where no one—not even the camera—could watch the old bear as he finally abandoned us all for good. In a brilliant, cruel episode of Succession , no decision is more brilliant or cruel than that. No last words or reflections. No final confrontation. Later, Tom will process his grief in the usual way, kicking shit downward to Greg, and trying desperately to maneuver. But that comparison, I suspect, will also serve as a demonstration of how much better this show is now than it was back then, when the performers were still finding these characters, and the series itself had yet to grow fully comfortable with its more dramatic elements. Certainly, nothing back in that second episode can compare to the gut-wrenching, tear-inducing sequence in which Roman, then Kendall, and then Shiv all address their father for the final time tonight. And I love you. And so grieving gives way, for everybody, to controlling the narrative. But it was far more stiff, far more sterile, than what we get here, because all involved had yet to grasp that the series could make this stuff more awful by dialing into these characters as genuine people, not less. Succession has since become a show where grief and business manipulation can operate in the same breath with each other, where even more minor characters like Karolina and Frank can be both human beings and conniving corporate drones in simultaneous moments. And also, Connor is there.

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Which means that if we want to get a glimpse of Logan Roy at his own funeral, we have to do so by inference. The old man might be in the box, but his spirit can only be found on a map whose perimeters are sketched out by the things people say about him tonight—most notably in three beautiful, blistering speeches that try to answer the question: Exactly what kind of monster was Logan Roy? In the words of brother Ewan—James Cromwell showing up, as he so often has on this show, to bring a little fire and brimstone down on the heads of the sinners—Logan was a tragic monster, a haunted child who responded to demands for silence by becoming the loudest bully in the room; feelings of powerlessness by becoming high priest of a cult of power. He tells no untruths—and, in fact, all three funeral speeches tonight are scrupulously honest, which is part of what makes them such a fascinating exercise in writing from series creator Jesse Armstrong. And he fed a certain kind of meagerness in men.

For three seasons and change, Logan Roy did everything in his power not to give his company to his kids. His reasons for this were myriad, and mostly evil, the petty tantrums of a tyrant who felt far more love for his sense of control than he ever did for flesh or blood. But one of the awful things about Logan Roy was that he was so frequently correct in his ugly assessments of people. Because despite his best efforts, Logan Roy still left his kids a loaded weapon in his will. And tonight they picked it up, fumbled with the trigger for 60 minutes, and then shot America in the head. Not that it matters all that much, since Tom barges into the ATN control room like 30 seconds later to confirm the call. And she almost pulls it off, too.

Avclub succession

The Roys have always been easy to read. Like all people with power, money, access, and privilege, they want to hang onto that power, money, access, and privilege. The politics they push on Waystar Royco maintain their popularity and please their shareholders. The cynicism and nihilism with which they approach every situation maintains their aloofness and perceived superiority. The only true believer in Republican ideology for what it actually stands for might be Connor, and note how his political aspirations are met with mocking and sarcasm by his siblings and even his father. Why would you want to be a politician, someone who works for people? What an absolute tornado of an hour, full of the pointedly cruel, quiveringly pathetic, and amusingly melodramatic stuff that makes Succession great. Kendall just fires Lisa after she rightfully calls him out for overplaying his hand to the government!

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Armstrong has talked, frequently, about being unsure of whether he was going to end Succession here, and that comes through in the structure tonight, the overlong scenes of retreaded arguments, the abruptness with which the show bids these characters farewell. Succession ends with a reminder that these were terrible people who should never actually get what they want—and why…. The timing of the document is ambiguous; it carries no legal weight; many of its addendums are unclear bordering on illegible. And she almost pulls it off, too. Film Music Games. Honeymoon States. Off English. But tonight was so much more exhausting, not least because of all the real-world parallels the episode comes dragging along in its wake. Succession recap: It's a Roy world; we just live in it. Published May 21, Unauthorized Anthony Bourdain biography sparks controversy. He was a comedy character who thought he was the star of a prestige drama, hurt people like he was the star of a prestige drama, raged against the gods with no ability to grasp his own cosmic and comic absurdities. Published April 23, Succession series finale: The kids aren't alright.

About 4. Kendall can pump the Jay-Z all he wants, while Roman makes his acidic little comments. But in the presence of a genuine predator?

Published May 7, Published May 29, And Roman. Oh, how I stared at those big, shiny windows in the boardroom where Matsson and Roman were signing the fabled Waystar-GoJo deal; waiting for a shadow to fall. For three seasons and change, Logan Roy did everything in his power not to give his company to his kids. Succession has since become a show where grief and business manipulation can operate in the same breath with each other, where even more minor characters like Karolina and Frank can be both human beings and conniving corporate drones in simultaneous moments. Kendall never stopped wanting it, though. As always, the welcome return of Hiam Abbass to the show brings with it the perfect smiling coldness of a character who knows she has the ultimate trump card here: her name in ink, when almost everyone else has been sketched in with promises and pencil. Show all comments. And Shiv. Home Latest News TV. Facebook Twitter Email. Certainly, nothing back in that second episode can compare to the gut-wrenching, tear-inducing sequence in which Roman, then Kendall, and then Shiv all address their father for the final time tonight.